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Album Review: TBA
Showing posts with label grindcore. Show all posts
Showing posts with label grindcore. Show all posts

Thursday, May 8, 2014

EP Review: Anti Ritual – Anti Ritual


anti ritual

















Not to be confused with Anti-Mortem, like this reviewer might or might not have done, Anti Ritual‘s four experienced members all have deep roots in the Copenhagen hardcore scene. As Marco Malcorps, lead singer and lyricist pointed out in a recent interview, the quartet are so-named because “the acts of playing music and screaming out lyrics serve at times almost as a cathartic ritual – to get it all out, you know.” In fact, he’s quite clear here about the reasons for forming the band. “I worry about what kind of world we are leaving for our kids, and if we will leave any world at all.” Naturally, this mindset moulds their focus with Malcorps explaining their lyrics are “a harsh critique of mainstream society and the feeling of being in opposition to it.” Their aim, then, is to empower and arm the populace to give them “a way to cope with these feelings so as to not sink into total fucking apathy.”


What is clear is that no matter the topic (war, politics, social malaise or environmentalism), this latest slice of barbaric D-beat angst is an awesome exercise in the art of battery. Recorded and produced by the band themselves, mixed by Jakob Reichert Nielsen (Rising, Lack) and mastered by Brad Boatright (Nails, Sleep, From Ashes Rise), the six tracks on this self-titled EP hit with the force of a battering ram. With a mere 16-minute running time it really is a case of get in, make your point and get the fuck out. The combination of a primal throat-ripping vocal, splattering riffage and a thunderous stampede of skins certainly form a powerful alliance.

From the off the band’s blackened lungs hack-up waves of sludge and thunder as they deliver, short sharp blows to your ears. Opener “Ideals To The Fire” grumbles and growls like a pissed-off, chained-up rottweiler faced with a tormenting postman. “Slave Dogmatics” ups the ante, escaping the obliterating one-dimensional dirge to marry Black Breath‘s incisive menace to High On Fire‘s wild stringwork. Through speeding, dissonant chugs and howling chord sweeps Jacob Krogholt carves us out a new level of fury. The true mindbender here is “No Second Earth”. The message here is clear – without change humanity’s self-destruction awaits. “And here we are… in total disregard“, wails Malcorps. K.B. Larsen’s snarling bass frequently pitches its way to the surface and the intensive crush of Nikolaj Borg’s panicking kick-drum releases into half-time to create space within the track. The effect is mesmerising.

Blistering on through the swarthy, bludgeoning efforts of ‘The Highest Privilege’ and ‘Blame The Victim’, the former replete with a cyclical, echoing passage of cantankerous doom-mongering, we reach a vital, impressive kink in this EP’s evolution. Through a squall of feedback comes the elephantine pacing and vitriolic refrains of a ‘A New Discourse On Enlightenment.’ Through the breaks and chugging patterns, Malcorps simmers like a pre-menstrual Jamey Jasta on morphine. With bulging veins he delivers one final crawling message riddled with malevolent spite that caterwauls its way to an inevitable oblivion.

Aimed at those with dark souls, those malevolent extremists seeking a new level of violence, Anti Ritual certainly crams in a lifetime of pain into an infuriatingly short running time. You may emerge bloodied and bruised by the experience, but you will believe that this Danish foursome’s point is undeniably valid.

Also online @ Heavy Blog Is Heavy = http://www.heavyblogisheavy.com/2014/05/05/anti-ritual-anti-ritual/

Wednesday, March 14, 2012

Album Review: The Safety Fire – Grind The Ocean

Formed in 2006, , like fellow UK-based did, have taken their sweet-assed time to getting around to releasing their delayed debut album. You know what they say though – “if it ain’t delayed, it ain’t djent”. It’s certainly unfortunate that Grind The Ocean arrives, just as the dial on the ‘djent-o-meter’ has ventured into the red ‘Saturation’ zone, but luckily these Cockneys aren’t just polyrhythmic heft and no trousers and have some neat tricks up their collective sleeve to warrant anyone’s attention.

They open with the crushing caterwauling of “Huge Hammers”. With the video having been plastered over numerous websites, there are many who will be familiar with the track’s madly scribbling arpeggios. They smother the listener, climbing up and down the walls as a boxed-in Sean McWeeney bellows himself hoarse to offer a counterpoint to snatches of vocal harmony; these babies are the delicious goo in that savagely hot pop-tart you were burning your lips off on earlier. Jarring lyrics like “Black beak, weapon to pierce, delirium scribbles” and “Piece of flesh in my eye, what’s not mine doesn’t hurt” had me hooked and the sharp mix working in tandem with their hardcore edginess is a factor that will help the band stand out from their rivals.

The meets double-action of “Floods Of Colour” offers up the chance to properly compare McWeeney’s tirades and serenades. The former, with their lack of tonal variation and damaged, grating quality, sometimes find McWeeney over-reaching, at the edge of his range, whilst the latter are prettily effective and delivered with panache. For those who’ve followed the band since the release of their Sections EP it’s a shock to hear him sounding so polished. In the negative column, electronically-tweaked spot-welds on those cleans mean the vocal harmonies occasionally flirt dangerously close to sounding auto-tuned.

Two offerings from the EP pop up here in the form of the solo-trimmed (yet still writhing) “Sections”, with Martin Goulding () and Pin (, ) guesting, and “DMB” which gets a face transplant, even though (from what I can tell) it’s musically identical, to become “DMB (FDP)”. The band insist DMB “doesn’t really mean much” but FDP “means a lot”. The latter acronym could stand for anything from Flat Display Panel to Flood Damage Prevention but, speculating wildly, I’m going to plump for “filho da puta” which is Portuguese for “son of a bitch”. It’s certainly still got the kind of smack in the face that might prompt such an utterance.

There are moments where the band drift fully into post-rock mode, initially hooking you in, but ultimately these tracks seem to lose their way. “Anomalous Materials”, for instance, drifts through the ether like a lost soul whilst the circling riff of “Seagraves” is but a half-thought. The band also seem to have a bad habit of getting trigger-happy when it comes to flicking switches, tying themselves in knots attempting to cram both action and relaxation into one space. Witness the challengingly-muddled “Animal King”. Strong and familiar at its opening, the track minces itself into a lather with plain old bad songwriting. It’s the musical equivalent of a dropped dinner, as the hard-edged, mathy spasming of your main course leaks into the softly-padding ambience of your dessert.

It’s odd having had only their grim-faced EP to listen to for so long so it’s yet another surprise to find both the sumptuously light “Circassian Beauties” and craftily airy title-track are where sound most comfortable. Having nicked back the pace without compromising their music’s honest approach, McSweeney, who at no point pushes too hard, masterfully croons his way through the verses, punches in with the mega-catchy riffs, owns the choruses and then easily struts back and forth as the guitars, bass and drums jink their way through complex sequences of technically-astute attack and release.

End of the day, this doesn’t really feel like djent at all. You could argue, with their combination of hardcore and progressive soundscaping, they don’t even qualify for the confines of the genre at all. The last bombshell is to discover that Grind The Ocean, as innovative as it may be, is stuffed full of promise yet, ultimately, ends up falling short in so many areas. However, with so much of their unique personality being stamped on their music like this, are still most certainly a band to keep a close eye on for the future.

Also online @ The NewReview = http://thenewreview.net/reviews/the-safety-fire-grind-the-ocean

Thursday, January 12, 2012

Article: Writer's Picks For 2012

I was recently commissioned to highlight a couple of bands with forthcoming albums that, for the coming year, were getting me a little hot under the collar. I plumped for these two...



When a new musical style begins to form, it’s rare that many take notice until it is well and truly established. This hardly seems to have been the case for the onomatopoeically-termed genre of ‘djent’. It first appeared in the early noughties, inspired by the signature palm-muted string hammering of the Swedish metal band Meshuggah, and has rapidly grown into a goliath with new bands piling on board each and every year. India’s Skyharbor and England’s The Safety Fire are two you may not yet have come across. Both have debut albums popping up in 2012 and both promise to be real game-changers. Having seen and heard the the former’s numerous little burps and squeaks popping up on various media sites of late and having experienced the latter’s storming “Sections EP” and explosive live show, I for one am already experiencing palpatations at the prospect of the pair taking djent to the next level.

Skyharbor will release the debut album ‘Blinding White Noise: Illusion & Chaos’ worldwide via Basick Records in early 2012.
You can listen to a sample of what they do here: http://soundcloud.com/skyharbor7

The Safety Fire will release their debut album ‘Grind The Ocean' via InsideOut Music on February 27th, 2012.

This short piece also appears online @ TLOBF = http://www.thelineofbestfit.com/2012/01/best-fit-2012-preview-writers-picks/

Thursday, December 9, 2010

Free Download: Magrudergrind - Crusher EP

Accused of channeling bands like Napalm Death, Terrorizer and Carcass, the crushing grindcore of Magrudergrind has been lighting up grotty venues and blowing bedroom sub-woofers for quite a few years now. Recently released and, inevitably made freely available, this latest EP provides the perfect opportunity to give your favourite headbanger an early Christmas present.

Go visit Brooklyn Vegan to get the free download: http://www.brooklynvegan.com/archives/2010/11/a_free_magruder.html

Then go to one of their mental gigs and thank them kindly: http://www.myspace.com/magrudergrind

You could even read this awesome interview printed in Issue #6 of Crucial Zine which you can also download for free: http://crucialzine.blogspot.com/